Loverboy -- "Working for the Weekend"

If the only funny part of this whole post is the picture below, then I think I've done my job.


See? Told you.

Why is the tip of the middle finger so red? It's like he tied a rubber band around it, or put a little tiny condom on it or something. Let's sincerely hope it's not the latter.

Wikipedia: "The popular Canadian teen drama Degrassi: The Next Generation, which is known for naming each episode after an 80s hit song, named an episode after this song." Whaaaa? Am I the only blogger who has a blog devoted to making fun of songs that are for the most part from the '80s who wasn't aware of this?

This calls for another gratuitous picture of somebody's ass.

Oh! Here's a full episode guide. I guess that other Wikipedia page wasn't kidding, although it looks like they didn't really commit to naming every episode after a song until Season 2, unless there are popular '80s songs called "Basketball Diaries" and "Family Politics" and "Parents' Day" that I am unaware of.

And no, I didn't expect to be Googling "degrassi the next generation episode guide" tonight, thank you very much.

Hey, have you ever heard of this band Loverboy? Like Degrassi: The Next Generation, they are Canadian. What a happy coincidence. Apparently "Working for the Weekend" was their follow-up to the smash hit "The Kid Is Hot Tonite."

Here's a list of bands and artists mentioned on Loverboy's Wikipedia page, in its entirety:
* Cheap Trick
* ZZ Top
* Def Leppard
* Kansas
* Journey
* Judas Priest
* Jon Bon Jovi
* Richie Sambora
* Bryan Adams
* Brian MacLeod (?)
* Enrique Iglesias
* Foreigner

That seems about right.

Fun fact! In 2000, Loverboy bassist Scott Smith was declared dead after being lost at sea!

Another fact: Loverboy has won the most all time "Juno Awards," which is a thing that a) I have never heard of and b) is apparently like the Canadian equivalent of a Grammy.

So, my question is, really? Come on, Canada! I was going to go on a tirade about like Neil Young and Joni Mitchell and Gordon Lightfoot and Rush and plenty of other fine Canadian musicians whose names are not coming to mind, but it appears the Junos, while they officially began in 1970, have a sort of spotty history and at one point may have been solely devoted to classical music, but, all that being said, even so, really?! Loverboy??

By the way, my train of thought while writing this post has somehow led me to start downloading George Michael songs. What?

Ok, time for some anticlimactic lyrics ...

Everyone's watching, to see what you will do / Everyone's looking at you, ooh

I'm not sure what to say about these lyrics. They seem to just be nonsense. There are two verses in the song, and an eight-line chorus, and none of them appear to be at all related to each other.

Everyone's wondering, will you come out tonight? / Everyone's trying to get it right, get it right

Still not sure what to say.

Everybody's working for the weekend / Everybody wants a new romance / Everybody's goin' off the deep end / Everybody needs a second chance, oh

These lyrics are nice, and fun, but what do they have to do with the first verse we just saw?
Also, first eight lines all start with either "everyone" or "everybody."

'Cause I gotta have faith / Ooh, I gotta have faith

Whoops, sorry about that.

You want a piece of my heart / You better start from the start / You wanna be in the show / Come on, baby, let's go

Again, what? What show? Who is he talking to? Who is he? (Besides awesomely named lead singer Mike Reno, that is.)

"Start from the start"?

Where am I?

Everyone's looking to see if it was you / Everyone wants you to come through

Mike Reno sounds a little bit like Geddy Lee here. Canada!

Everyone's hoping it'll all work out / Everyone's waiting, they're holding out

Yep. That's the whole song. Is there any rational way to link all these random lyrics together? Is this a trenchant social commentary on American society, as legions of workers whose souls were crushed to powder long ago trudge to factories or cubicles, fooling themselves into thinking they are "working for the weekend" when their weekends really consist of just more mind-numbing monotony, just in front of the TV instead of the Excel spreadsheet or the ... uh ... wall of the coal mine, or whatever it is they look at all day at work? And, the rambling and nonsensical lyrics are meant to be emblematic of the pointlessness of this inexorable march toward death?

Goddam Canucks always thinking they're better than us ... well I'll show ... zzzzzzzzzz.

Steve Perry -- "Oh Sherrie"

Awesomely Bad Lyrics, Vol. XL: In which Steve Perry rubs up suggestively against a wrought-iron balcony.

So after watching the video, in which said rubbing transpires, I was thinking, "Oh boy, this is just another bizarre, poorly conceived rock video that consists basically just of a bunch of random images and scenes that make no sense." Which is true.

But! There is a longer version that makes perfect sense and is actually sort of clever and mildly entertaining. I suppose it had to be cut down for MTV, in which case, worst editing job EVER because it is basically impossible to understand what's going on without the context that's removed.

Also, I really love how the YouTube label for the shorter version makes it seem as if it is a song by Journey called "Oh Sherry (Steve Perry)."

You should've been gone knowing how I made you feel / And I should've been gone after all your words of steel

Coming soon from Roget's: "WORDS OF STEEL"!!!! This ain't your grandpa's thesaurus!!!

Oh/ I must've been a dreamer / and I must've been someone else / And we should've been over

OK, I'm sensing a theme here. Sherrie should've been gone AND you should've been gone AND you must've been a dreamer AND you must've been someone else AND your relationship should've been over. That's a lot of strikes against this blessid union of souls. So, ipso facto, there must be some amazing reason that this partnership should, against all odds, work out. I can't wait to hear it!

Oh Sherrie, our love holds on, holds on / Oh, Sherrie, our love holds on, holds on

Uh. OK. Well, that's not a reason. Just ... a thing. Good old Steve Perry must just be building anticipation for the big reveal, though. What a storyteller!

While we're waiting, did you know the girl in the video is actually Sherrie? Sherrie Swafford. She was Steve Perry's girlfriend when he wrote the song.

I want to let go, you'll go on hurtin' me

More bad stuff. You are really building a strong case for ending this relationship, Steve. (Keep in mind also that Sherrie is a real person who he was romantically involved with when he wrote this song. How would you have felt if you were Sherrie and you heard this little ditty? I would've felt bad. Steve Perry likes to make people feel bad.)

You'd be better off alone if I'm not who you thought I'd be

OK, more bad stuff (I think). But I have a feeling that we're about to find out just what it is that makes these two tick!

But you know that there's a fever

(leans in closely) Uh-huh???

oh

(cocks head in anticipation)

that you'll never find nowhere else

(braces for inevitable disappointment) And?

Can't you feel it burnin' - on and on?

That's it, folks! That's why Steve Perry and Sherrie Swafford continue to date despite overwhelming evidence that they should not: "There's a fever" (where?) that she will "never find nowhere else." (Which, I guess, means that Steve Perry *can* find the fever? What a fucking arrogant bastard.)

Surprise! Steve and Sherrie broke up in 1985, the year after this song came out. Now, nearly a quarter-century later, when you search for "sherrie swafford bio" on Google, the first page that comes up is called "Steve Perry's Biography." So, that must make her feel really good. Are you happy, Perry? Are you?!

Oh Sherrie, our love holds on, holds on

You son of a bitch.

But I should've been gone long ago, far away

Why are you still singing?

And you should've been gone / now I know just why you stay

Because Steve Perry is such a sexy bastard, and he sings like an angel and is utterly irresistible to every man, woman, child, and beast of the field. Right? Right?!?!

Douchebag.

CODA: Apparently after he and Sherrie broke up, Steve Perry wrote an explanation of why it happened on his Web site. It's ineloquent, but clearly heartfelt and sort of touching. It makes me feel bad that I just made fun of him and called him names.

Steve Perry likes to make people feel bad.

Asshole.

Journey -- "Separate Ways (Worlds Apart)"

I kind of wish the lyrics to this song were worse, because I don't feel it's quite suitable for the full treatment, yet I still feel the need to share this masterpiece.

If you made a game of bingo out of this video, some of the squares might ask for:

Awesome black muscle shirt
Entire band playing air instruments
Wharf
Jean jacket
Keyboard glued to a wall
Aloof-looking girl with big hair and dangly earrings
Lead singer overemoting while leaning against a bright yellow wall
Drummer wearing a cutoff maroon T-shirt that says "FOOSBALL"
Synchronized head swivels
Porn 'stache
Slow motion jam session
Lead singer calling a holding penalty (also the internationally recognized symbol for "those chains that bind you")
Shocking final twist that makes no sense

And now, take it away, Robocop!



Here we stand / Worlds apart, hearts broken in two, two, two / Sleepless nights / Losing ground, I'm reachin’ for you, you, you

I don't quite understand the need for the parenthetical "Worlds Apart" in the title of this song. "Separate Ways" is a fine title. Although, I like to think that this was the inspiration for that Radiohead album where every song had two different names.

Feelin' that it's gone / Could change your mind / If we can't go on / To survive the tide, love divides

Not sure I quite get this part. Is he saying that experiencing the feelin' that it's gone could change her mind? Or is he feelin' that it's gone, but also thinks he could possibly change her mind? Steve Perry? Little help over here? Oops, looks like he's too busy fighting crime in dystopian Old Detroit.

By the way, the foray onto the Robocop Wikipedia page necessitated by that last paragraph revealed this little gem: "RoboCop was written by Edward Neuemeier and Michael Miner. Edward Neumeier stated that he first got the idea of Robocop when he walked past a poster for Blade Runner. He asked his friend what the film was about and he replied saying, 'It's about a cop hunting robots'. This then sparked the idea for him about a Robot Cop."

The movie was also inspired by the Judge Dredd comic book and the Marvel superhero Iron Man. And people say Hollywood lacks for original ideas ... sheesh.

Someday love will find you / Break those chains that bind you / One night will remind you / How we touched and went our separate ways

Umm ... what? Love will find her, thereby breaking whatever chains are binding her, and only *then* will she remember how the two of you were also once in love? Guh-wha?

If he ever hurts you / True love won't desert you / You know I still love you / Though we touched and went our separate ways

But on the other hand, if "he" ever hurts her, she will *also* remember this love affair with Steve Perry and then ... who knows? Hmm. I'm starting to think Steve Perry might be kind of self-centered.

Troubled times / Caught between confusion and pain, pain, pain

"Confusion" and "Pain" are the names of Steve Perry's two Bengal tigers.

Distant eyes / Promises we made were in vain, in vain, in vain

I think this song should've been called "Separate Ways (Worlds Apart (Distant Eyes))."

If you must go, I wish you love / You'll never walk alone / Take care my love / Miss you, love

The last two lines are sort of funny if you imagine Steve Perry saying them in a British accent.

I still love you, girl / I really love you, girl / And if he ever hurts you / True love won't desert you / No....no...

Hey, girl! Even though we're (apparently) breaking up and are, in my own words, "worlds apart," you can take comfort in the fact that if you later find yourself in an abusive relationship, you can always look fondly back on our "true love" that is for some reason ending. Silver lining, am I right? OK then! Wow, being a robot is easy.

Journey -- "Any Way You Want It"

This is like shooting fish in a barrel.

Any way you want it / That's the way you need it

I mean, this is basically the entire song. After parsing this awkward syntax, I believe the message here is that one should be able to have whatever one wants, regardless of the consequences. Of course, we're talking about sex because this song is from the '80s, but I like to think that the message also applies to things like bank robberies and paying taxes. I think Steve Perry probably has read this book and voted for this guy. Or, maybe he's just horny.

She loves to laugh / She loves to sing / She does everything / She loves to move / She loves to groove / She loves the lovin' things

OK, message received, loud and clear. This girl is a groupie, or perhaps a prostitute, who is willing to fulfill Steve Perry's weirdest sexual fantasies. Excellent job rhyming "move" and "groove" here, but "she loves the lovin' things?" Wtf??

Ooh, all night, all night / Oh, every night / So hold tight, hold tight / Ooh, baby, hold tight

Ah, now we make with the lovin' things. Nice. Hmm? What's that you say? You want to imagine Steve Perry singing this song while dressed as Robocop? That's so weird, because .... gaaah!!!!


I was alone / I never knew / What good love could do / Ooh, then we touched / Then we sang /About the lovin' things

I think it is safe to say that there are three schools of thought on these lyrics:

1. The narrator is a hopeless virgin who is being seduced by an older woman -- this definitely explains the clear lack of knowledge of sexual terminology.
2. The narrator is a simple robotic police officer who has never known the simple human emotion of love or the true meaning of the phrase "lovin' things."
3. The narrator is Steve Perry, and the lyrics are just awesomely bad.

I totally hope it's #2.