Showing posts with label The Outfield. Show all posts
Showing posts with label The Outfield. Show all posts

Friday, December 4, 2009

Britney Spears -- "3"

If you don't mind, I'm going to get a little personal here. My last post on The Outfield sent me into a personal and professional tailspin. Who cares about The Outfield?, I thought to myself. What is the point of this blog? What is the point of anything? Why are strawberries red? Where do rainbows go when the rain stops? And so on. You know, life.

So I went into seclusion in the west wing, so to speak, and had a good think. I thought and thought until I could think no more. Then, just as I was about to give up hope -- an epiphany. If I really want to make a difference, I realized, I can't go around mocking songs from the '80s and thinking anything's going to change. That would be like shipping food back in time to Nigerians who have long since passed away or gone on to profitable careers in online scammery. If I want things to change, I have to mock songs in real time! Take on the chart-toppers of today instead of those from yesteryear.

That was all a lie!

Actually, last weekend I was watching the VH1 Top 20 with my friend Richie and not only had I never heard a single song on the list, but I'd never heard of most of the bands. "Owl City"? "Lady Gaga"? "Lifehouse"? "Bon Jovi"? wtf?? I was particularly captivated by Britney Spears' new video, in which she sings about having a threesome while dancing provocatively with people of both sexes. Then, I heard the song again on the radio while driving home (right after Led Zeppelin's "No Quarter," not sure what exactly that station's target audience was) and I figured it was fate.

So after many long years in the wilderness I present to you "3" by Britney Spears! Enjoy the video, which I find somewhat unsettling.

1, 2, 3 / not only you and me / Got one eighty degrees / And I'm caught in between / Countin'

I am really kind of charmed by how weird these lyrics are. They start out in a very straightforward way. "1, 2, 3" clearly means that there are three people. "Not only you and me" iterates that fact. Then, the third line makes no sense. I guess she looks at one person, then swivels around 180 degrees to see that there is another person? But she says she has "got" 180 degrees, like she is in possession of them. I do not know what it means. Then, she says she is "caught in between" the people. OK, I guess so.

Then the final line, my favorite -- "Countin'!" This song is about counting! Try singing it in Count von Count's voice. Amazing!

1, 2, 3 / Peter, Paul & Mary / Gettin' down with 3p / Everybody loves / Countin'

This part sounds even more like something from Sesame Street. Doesn't it? If instead of being about having sex with two people at the same time, and accompanied by images of nearly naked people bumping and grinding each other all over the place, it was instead about, well, learning how to count, and accompanied by images of playful puppets and clean multiracial children, it would be just like Sesame Street! I like Britney Spears.

Babe, pick a night / To come out and play / If it's alright / What do you say?

Haha, I was actually ready to ditch this whole Sesame Street thing, but .... seriously. Replace "babe" with "friend" or something and we're still right on track.

Merrier the more / Triple fun that way / Twister on the floor / What do you say?

I don't think a threesome would triple the fun. To an outside observer it would multiply the fun by 1.5, and for either participant it would only double the fun. Come on! This is just simple math. Don't these songwriters have copy editors? (I have no idea who actually wrote this song and refuse to look it up. But I do know that it was copy edited by Bill Sanderson of Grand Forks, N.D. For shame, Mr. Sanderson. Take more pride in your craft.)

Also, "merrier the more"? Was the "Twister on the floor" line so indispensable that we had to do these verbal gymnastics? Was it?! SANDERSON!!!!

Are you in? / Livin' like this is the new thing / Are you in? / I am countin'!

This sounds like a creepy hippie pickup line from the '60s. Hey, baby! Are you in for this threesome? Livin' like this is totally the new thing, man! Loosen up! Far out! MAN WALKS ON MOON

And, I remain charmed by how excited Britney is about being able to count. Baby steps.

Three is a charm / Two is not the same / I don't see the harm / So are you game?

At this point the songwriters probably realized there wasn't much to say about having a threesome that wasn't sort of gross and creepy, especially when paired with such a danceable and frivolous beat.

Lets' make a team / Make 'em say my name / Lovin' the extreme / Now are you game?

See? Case in point. "Let's make a team / Make 'em say my name" ... gross and creepy.

What we do is innocent / Just for fun and nothin' meant / If you don't like the company / Let's just do it you and me

I find this part disconcerting because of the change in tempo. I know every pop song in this vein has to have a part where they slow it down and get all emotional and romantic for a minute before going back to the loopy-loop dance-a-ganza with the hey-hey and the flip-flop. But this song is about a threesome, which is really by definition (in my opinion) not at all romantic. I mean, I am not anti-threesome, and I hope all of you go out and have 10 threesomes with 20 different people immediately after reading this post, but I think if you're going to write a song about having threesomes, just go for broke and make it a kind of in-your-face celebration of Bacchanalian pleasure, don't try to write cute sugarcoated lyrics and try to infuse some measure of tenderness and longing in here. Threesomes are not about tenderness and/or love. They are about fucking. Right? Um. Excuse me for a few minutes.

OK.

You and me / Or three / Or four / On the floor
Four! Four slutty people on the floor! Ah, ha, ha!
Five! Five venereal diseases! Ah, ha, ha!

Counting!

Monday, November 16, 2009

The Outfield -- "Your Love"

Holy crap. I was toying with the idea of mentioning that it seemed to me that a disproportionate number of baseball players use this song as their "at bat" music. (Hitters often pick a song to play on the PA system when they come up to the plate.) But, I decided not to, because I'd heard it maybe only like three times, and that's a pretty small sample size.

But, lo and behold, Wikipedia actually mentions this on its page for this song! So, I'm not crazy, and baseball players are weird. The players it mentions are: Gordon Beckham (3B), Kelly Johnson (2B), Frank Catalanotto (OF) and Eric Byrnes (OF). All white guys, and only two of them are actually outfielders, so at least Mr. Beckham and Mr. Johnson really like this song and didn't just think it would be funny to play a song by a band called "The Outfield." Although there are no bands called "The Infield" that I'm aware of, so I don't know if they had much of a choice in the matter. "Second Base" or "Third Base" would be good band names, but I don't think any group has harnessed this particular bit of genius either.

Speaking of baseball, this song has been a topic of discussion on a sports blog that I follow. So thanks to Joe Posnanski, whom I have never met or corresponded with, for the (sort of) recommendation, although he seems to think this song is just bad and not in any way awesome. I respectfully disagree.

Judge for yourself!

Josie's on a vacation far away / Come around and talk it over

I don't know whether to address my comments to lead singer Tony Lewis or songwriter and guitarist John Spinks. I think I will choose the latter, because "Spinks" is kind of a funny name.

OK, here we go.

First of all, poor Josie, whoever she is. This whole song is about her husband/boyfriend/whatever cheating on her, and all she gets is this cursory mention at the beginning of the song. It sounds a little suspicious too.

Q: Hey, John Spinks, where's Josie?
A: Oh ... uh ... she's ... on a vacation ... far away! Yeah, that's the ticket.

You think he killed her? I think he might've killed her.

So many things that I wanna say / You know I like my girls a little bit older

Regardless of what happened to Josie, our old pal Spinksie isn't doing much better by this other woman. "I like my girls a little bit older"? Really? Of all of these myriad things that you're just dying to say, that's the first thing that comes out of your mouth? Sweet mercy.

I just wanna use your love tonight / I don't wanna lose your love tonight

And this is the second thing? Christ almighty, Spinkasaurus. You're really quite the charmer, aren't you? I'm starting to think Josie is on a "vacation" about as far away as she can possibly get from you. Or maybe she's imaginary. "Josie" sounds kind of like a fake name.

Really, though, aren't "I just wanna use your love" and "I don't wanna lose your love" two absolutely contradictory statements? Just because two lines rhyme doesn't mean you should write them back to back, Spinkbones.

I ain't got many friends left to talk to / No one's around when I'm in trouble

And why might that be? Let's all just sit around and ponder that one for a while.

You know I'd do anything for you / Stay the night but keep it undercover

I'd do anything for you. Except publicly acknowledge the fact that we have a relationship. Other than that, anything. Come on, baby, you can trust the Spinkmeister.

I just wanna use your love tonight / I don't wanna lose your love tonight


Grrrr.

Trying to stop my hands from shakin' / Somethin' in my mind's not makin' sense / It's been a while since we were all alone / I can't hide the way I'm feelin'


Somethin' in your mind's not makin' sense? No fucking shit.

Hey, Tony Lewis really has a nice voice, doesn't he? He sounds a lot like Sting when he sings that last verse. Just wanted to mix a compliment in there.

As you leave me please would you close the door / And don't forget what I told you

Yeah. Good sex there. Now get out and close the door. And don't forget what I told you about keeping this secret. Otherwise you might end up like Josie. Capisce?

Just 'cause you're right - that don't mean I'm wrong


Fundamentally, this is true. But you are wrong, Spinks. Very wrong.

Another shoulder to cry upon

Weirdo.

I just wanna use your love tonight / I don't wanna lose your love tonight

Am I being too harsh on John Spinks? Maybe this song is about a guy who's really conflicted. He doesn't know whether he wants this to be a one-night stand ("use your love") or whether he really has feelings for this woman ("don't wanna lose your love"). Maybe. I still think it's more likely that these lyrics were carelessly slapped together and chosen more for rhyme and meter than for coherence. I think only one person knows the real truth: Josie. And she's not talking.