Showing posts with label Scorpions. Show all posts
Showing posts with label Scorpions. Show all posts

Tuesday, March 9, 2010

Scorpions -- "Rock You Like a Hurricane"













Hey guys, aren't hurricanes awesome? Yeah, hurricanes! ROCK!!!

It's early morning / The sun comes out / Last night was shaking / And pretty loud

Because a devastating hurricane struck your impoverished community, killing thousands and leaving only destruction and despair in its wake? What a sad yet hopeful song you have penned here, Klaus Meine. I hope this inspires a nation to help you rebuild and put these dark days behind you.

My cat is purring / And scratches my skin / So what is wrong / With another sin?

Uhhh, wait, what? Oh, Klaus. Klaus, Klaus, Klaus. The hurricane was merely a metaphor for your sexual prowess? For shame, sir. And, might I add, you have compounded your folly by writing a bunch of lyrics that make little sense. May a hundred opossums scurry into your house and eye you menacingly while nibbling at the fruit basket you left on the kitchen counter!

The bitch is hungry / She needs to tell / So give her inches / And feed her well

Let's do this line by line. I don't think Blogger will let me do footnotes, so imagine these are footnotes and not the regular stupid comments that I make.

1) Hungry for sex!
2) Tell ... about ... the sex! That she had. With you. Klaus Meine.
3) Sexual reference.
4) Ibid.

More days to come / New places to go / I've got to leave / It's time for a show

This quartet of awesomeness could easily be part of a Broadway musical. I'm imagining it as the closing lines of the opening song, in which a young fresh-faced country girl comes to the big city and is all excited about her new life and is going to Make It Big, but then is slowly worn down to a nub of humanity and becomes a prostitute/drug addict/cast member of Jersey Shore.

Try it out! Each line gets progressively louder and in a higher octave. "More days to come, new places to goooooo, I've got to leave, It's time for a shoooooooowwww!!!!"

Oh yeah, I almost forgot. Hey, Klaus Meine! What do these lyrics have to do with anything else you said previously? I thought you were talking about a cat, and your penis and stuff?

Here I am, rock you like a hurricane / Here I am, rock you like a hurricane

Yes, and a hurricane. Right.

So, there are a bunch of good songs about hurricanes: this one, "Like a Hurricane" by Neil Young, "Hurricane" by Bob Dylan (not really about a hurricane per se, but play along) ... so how come there are no good songs about like tornados or cyclones or avalanches or earthquakes or other natural disasters? Hmm? Seems like fertile ground for songwriting.

Anyway, I'm downgrading this song to a tropical storm. Just because I can!

And, also, we've established that Klaus Meine doesn't speak or write English very well, so it's sort of funny to imagine him showing up at some poor girl's door and saying "Here I am! Rock you like hurricane!" Although it's funnier if his accent is Russian and not German. And if he's wearing nothing except a giant red ribbon tied around his loins and one of this big furry Russian hats. OK, let's move on.

My body is burning / It starts to shout / Desire is coming / It breaks out loud

I'm pretty sure these are really the lyrics. His body starts to shout, and desire "breaks out loud."

Lust is in cages / 'Til storm breaks loose / Just have to make it / With someone I choose

This song really suffers gramatically from a lack of articles, doesn't it? Come on, Klaus -- definite, indefinite, I don't care, just modify these nouns somehow. I don't ask for much.

And, "lust is in cages"? Squeeee!!!!

The night is calling / I have to go / The wolf is hungry / He runs the show

Klaus Meine: Sorry, baby, the night is calling, I have to go!
Woman: Oh, Klausie, come on ... just a few verses ago you said you had to leave because it was time for a show. Now the night is calling? It's always something with you!
Klaus Meine: Sorry, sweetheart! The wolf is hungry, and he runs the show!
Woman: What?

He's licking his lips / He's ready to win / On the hunt tonight / For love at first sting

Arrgh. If you were going to go with "love at first sting," why not just make the wolf a scorpion? I mean, your band is called the Scorpions, and it wouldn't really ruin the meter of the song and you could say "flicking his tail" instead of "licking his lips" ... you see what I'm saying here, Klaus? What's that? It was the wolf's idea? Yeah, but ... yeah, I know he runs the show, but ... come again? I have to end the blog post with a picture of what?! Read my contract?! (Shuffles papers) Dammit! OK, fine, Klaus Meine, you've won this round!

Tuesday, November 10, 2009

Foreigner -- "Head Games"

Oh Lou Gramm, I have missed you like the cracked dry earth misses the rain.

So the Wikipedia entry for the album "Head Games" is short but yields a couple of delightful tidbits. First, I would be remiss if I didn't share with you the album cover.


Yikes. That definitely is right in the running with the Scorpions' "Virgin Killer" for creepiest cover art featured on this blog. And at least the "Virgin Killer" cover is related to the title of the album ... in this case, it would seem Foreigner just really wanted to use a photo of a young girl squatting in a urinal despite the apparent absence of a connection to the title "Head Games." I guess a bathroom can be called a "head" so there is pun potential there, but whatever she's doing doesn't really look like it's part of a game. And why use the urinal when there's a row of seemingly unoccupied stalls right there? The mind reels.

Also: "In Aqua Teen Hunger Force, Head Games is one of the abilities of the Foreigner Belt. This ability allows the wearer to transform their victim's head into a game, possibly limited to Connect Four." Now that's comedy!

Here's the studio version of the song, or if you prefer, watch this rendition that may or may not be performed by a drunken Lou Gramm impersonator.

Daylight, alright

I really am loving the beginning of this song more and more every time I listen to it. The opening guitar riff is awesome and I appreciate how they just jump right into the hook rather than employ any kind of intro. It's cool. And the first line is nothing but "Daylight! Alright!" as if Lou Gramm is just bursting with happiness and ready to leap out of bed, sing with the bluebirds, and celebrate another glorious day of being alive. As we will soon see, though, this is not the case.

I don't know, I don't know if it's real / Been a long night and something ain't right / You won't show, you won't show how you feel

At this point (see previous Foreigner-related posts for details) I am highly -- highly -- distrustful of any claims that Lou Gramm makes about his relationship problems. I am strongly inclined to believe that whatever is wrong is somehow his fault.

No time ever seems right / To talk about the reasons why you and I fight

And yet, he really seems to be making an effort here. He wants to talk it out. Lou Gramm has seen the light! Hey, that rhymes with four other lines in the first two verses, and one line still to come! Alright!!

It's high time to draw the line / Put an end to this game before it's too late


That seems like a pretty good idea. Relationships are built on trust and communication, and it's better for the couple to put their cards on the table and talk through their problems rather than letting them fester. Lou Gramm is perfectly justified in his desire to bring this situation to a head, if you will.

Let's see how this plays out! Just for a change of pace, I'll pretend to be the object of old Lou's psychotic ramblings! Won't that be fun?

Head games, it's you and me baby


Hi, Lou. Yeah. Who else would it be?

Head games, and I can't take it anymore

This is unhelpful. What head games are you talking about? I'm happy to discuss this with you but you'll have to be a little more ...

Head games, I don't wanna play the head games

OK, Little Louie Lou-Pants, I understand you're frustrated and I want to try to talk this through ... if we could just ... are you listening to me? Louis?!

I daydream for hours it seems / I keep thinkin' of you, yeah, thinkin' of you / These daydreams, what do they mean? / They keep haunting me, are they warning me?

I don't know if daydreams really have this effect on people. If he was talking about a regular REM-sleep-type dream, the last line makes perfect sense, but since daydreams are a product of your conscious mind, I don't know how they really haunt you or warn you of anything. Maybe Lou thinks a daydream is just a dream you have when you take a nap during the day?

Daylight turns into night / We try and find the answer but it's nowhere in sight

Phew. That was a long day. A long day of head games.

Let's play analogies! I've got one. Lou Gramm:O.J. Simpson::"the answer":the real killer. Wasn't that fun!?

It's always the same and you know who's to blame / You know what I'm sayin', still we keep on playin'

I guess he's saying that she's to blame. Right? I don't know who else he would be referring to. Unless it's God. Is it God? That would be some dark shit.

Head games, that's all I get from you / Head games, and I can't take it anymore
Head games, don't wanna play the head games

We've been over this already. Have we heard one concrete example of a "head game" yet? I don't think so. I'm very suspicious. As Lou Gramm might say, "something ain't right." Sherlock Holmes might also say that. If he was more like Lou Gramm, that is.

So near, so far away / We pass each other by 'cause we don't know what to say / It's so clear, I'm sorry to say / But if you wanna win you gotta learn how to play

Uggghhhh. More vagueness. I'm about to pass out here.

Hey, what's up with the rhyme schemes in this song? Each verse seems to have a slightly different one. Oh, guess what I just remembered? I don't care.

Head games, always you and me, baby / Head games, 'till I can't take it anymore

There's no chance that the "head" in "head games" refers to Lou Gramm's penis, right? Just asking.

Head games, instead of makin' love


Ah. I think here we are finally getting at the crux of this sordid matter. Head games ... instead of making love.

Lou Gramm: Hey, baby! Welcome home! Let's make love!
Woman: Oh, Lou, can't we just sit down and talk a while first? I'm so tired and I just walked in the door.
Lou Gramm (clutching his head in dismay): Wooooaaaah! What are these head games you're playing with me, man? What a drag! Dullsville!
Lou Gramm: (embarks on a 36-hour spiritual journey fueled by drugs and disillusionment)
Woman: (shrugs shoulders) Here we go again!
(Canned laughter)
(Roll credits)

Head games, in the first degree / Head games, yeah, always you and me / Head games, why do you do it baby?


I like how Lou always saves his most nonsensical lyrics for the outro. (See "Hot Blooded.") It's like he thinks, hey, this song is pretty much over and probably doesn't need any more lyrics, but I have to sing something here at the end, right? Umm ... "Head games! In the first degree!" .... "That's gold!"

If you want to waste five perfectly good minutes playing "Head Games" of your own, try this out! So long, suckers!

Thursday, August 20, 2009

Scorpions -- "Wind of Change"

If you'll indulge me, I'd like to offer you an abbreviated Scorpions discography.

1976: "Virgin Killer," which has a cover that appears to be child pornography. (This link takes you to a picture of the cover, not to a child-pornography site.)
1978: "Taken by Force," the cover of which features two guys pointing guns at each other in a cemetery.
1980: "Animal Magnetism"'s cover shows a woman kneeling next to a dog, in front of a man holding a beer. (They appear to be in the desert for some reason.) Featured track: "Don't Make No Promises (Your Body Can't Keep)."
1984: "Love at First Sting"

I offer you this little snapshot because "Wind of Change" is a classic example of a band with a clear track record of objectifying women and just generally being kind of dick-ish and weird deciding to get all sensitive and shit. Songs of this ilk also tend to have awesomely bad lyrics, and this one is no exception.

Hey, remember the Cold War? I sure don't!

I follow the Moskva / Down to Gorky Park

Lead singer Klaus Meine (the Scorpions are German) clearly mispronounces the "v" in Moskva as a "w" here. Also, why Gorky Park? Are you just naming a random place in Moscow? Why not Red Square or Lenin's Tomb or something? Lenin's Tomb even has the right number of syllables, and is probably more recognizable to your Western listeners, and it's kind of maybe like symbolic of the death of Communism and stuff ... no? You're gonna stick with Gorky Park? Cool.

Listening to the wind of change / An August summer night

As opposed to what? An August winter night? Maybe he means the night is "august" with a small "a"-- a majestic, venerable night. (Actually, that would kind of make sense. Accidentally decent lyric!)

Soldiers passing by / Listening to the wind of change / (whistling solo)

Oh, but I love that whistling solo. Best ever? Any other nominees? "Young Folks" by Peter Bjorn and John? "Patience" by Guns 'n' Roses? "Jealous Guy"?

The world is closing in / And did you ever think / That we could be so close, like brothers

I think this is what Gorbachev said to Reagan when they were drunk one night at the Kremlin.

The future's in the air / I can feel it everywhere / Blowing with the wind of change


Uh .... hey, aren't you the Scorpions? Dude! Bro! I love "Virgin Killer" and "Taken by Force" ... those albums are the shit! I was totally listening to "Taken by Force" in college this one time when I was playing beer pong with these chicks, and my buddy Z-Dub slipped some roofies into their cups and .... hey, is this your new jam? (Listens for a minute.) Woah, bro, this is so gay! (Passes out drunk)

Take me to the magic of the moment / On a glory night


I'm sure this lyric is much better when translated from the original Russian.

Where the children of tomorrow dream away / In the wind of change / Walking down the street / Distant memories / Are buried in the past forever

Future in the air? Check. Children of tomorrow dreaming away? Check. Wind of change blowing? Roger that. Distant memories buried in the past forever? Looks that way. Well, boys, looks like old mother Russia has got this whole democracy thing figured out, and nothing can possibly go wrong for at least the next 20 years. (Brushes his hands together briskly, strolls away whistling a happy tune.)

The wind of change blows straight / Into the face of time / Like a storm wind that will ring / The freedom bell for peace of mind

Wasn't this part of one of G.W. Bush's inaugural addresses? I could've sworn he said that in 2005. (Actually, go back and read those lyrics in the Jon Stewart Bush voice. Much funnier that way.)

Let your balalaika sing / What my guitar wants to say

What does your guitar want to say? Hmm? Something about how on some level, we're all the same, and that humankind needs to live in peace and harmony, and MR. GORBACHEV TEAR DOWN THIS WALL and all that good stuff? No? Just wants to play us out with a sweet solo, followed by the chorus and some more whistling? OK. Fine by me.